moving image.be.water.my.friend.be.Brussels
I animate with AI because it finally lets one person picture a whole story: generate, discard, cut to the story rather than to a brief.
Every film is edited to the music, never the other way round. Frames are generated, then cut to the track. I work the same way when the story belongs to someone else.
01 — Piolhos
Storyboard development and animated sequences for a children’s musical project. Frame-by-frame illustration and motion graphics design.
Piolhos
A children’s musical project. Storyboard through to finished sequences.
motion graphics
Frame by frame
Illustration and motion graphics built up shot by shot, then cut to the music.
storyboard → animation
02 — Mulher do Mar
Mulher do Mar
A film made for another artist’s song — her story, pictured.
music — Solange Sá
Cut to the music
Frames generated, then edited to the track. Never the other way round.
process notes →
03 — White Cube
White Cube
Made for my own music, as UMASUDO. Generated frames, cut to the track.
music & film — uma sudo
Second film for the EP
The next in the series, in progress now.
for UMASUDO
I animate for other storytellers too.
Musicians, authors, activists, brands with something to say. If you have a story and no way to picture it, that is the work. Send the story first.